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URSA Mini Pro 12K OLPF - BlackmagicEAN  9338716008340

Digital Cinema Cameras > Super35 Sensor
EAN:9338716008340
₦ 11,261,268.93
VAT Included
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Blackmagic Ursa Mini Pro 12K Super 35 sensor of 12,288 x 6480 and 14 stops of dynamic range with low-pass filter

Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body.
The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality.
Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras.
You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16.
URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more.
DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!

Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame!
The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800.
The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions.
You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view.
URSA Mini Pro's interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.

Blackmagic RAW Fueled Image Capture
Only Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a reality!
Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene.
Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to g

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