SY3V2R - Samyang
Photographic Lenes > Lens Sony NEX Full Frame
EAN:8809298886721
₦ 927,492.67
VAT Included
VAT Included
Adcom - Samyang
New
Available in 7 days
VDSLR 35mm T1.5 MK2 with Canon RF mount
Samyang is introducing a new VDSLR MK2 line, improved with weather sealing, focal lengths written on both sides, elegant design and 9 aperture blades. Inheriting Samyang's incredible cinematic video quality, this pioneering film lens series will continually help independent filmmakers and low-budget project directors broaden their creative horizons as their first film lens set.
Most popular focal lengths in 7 camera mounts
The new VDSLR MK2 range is launched with 4 focal lengths: 24mm, 35mm, 50mm and 85mm. The 14mm T3.1 will also be ready by Q1 2021. These provide essential corners for any creative or commercial project. All 4 lenses are available and fully compatible with 7 camera mounts: Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X and MFT. They are suitable for both DSLR and mirrorless systems and ready to support all types of filmmakers around the world.
Compact size with long fire launch and de-clicked aperture ring
The compact size of Samyang's VDSLR lenses make them perfect for handheld and gimbal shooting.
Cinematic video quality, covering the size of the full-frame sensor
Unlike their compact size, VDSLR MK2 lenses cover full frame sensors (36x24mm) and are ready for the high quality video production environment. This new series inherits the exceptional image quality of the previous series: all 4 lenses have aspherical elements to reduce spherical and optical aberration, producing clear and vibrant images. The 50mm model also features a hybrid aspherical lens element to maintain compact size without compromising performance.
Fast T1.5 for low light situations
For independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures on all 4 models, supporting filmmakers and allowing them to focus more on the scene and creativity, without having to worry about image quality, even in low light situations. Additionally, the shallow depth of field available blurs the background and highlights the s
Samyang is introducing a new VDSLR MK2 line, improved with weather sealing, focal lengths written on both sides, elegant design and 9 aperture blades. Inheriting Samyang's incredible cinematic video quality, this pioneering film lens series will continually help independent filmmakers and low-budget project directors broaden their creative horizons as their first film lens set.
Most popular focal lengths in 7 camera mounts
The new VDSLR MK2 range is launched with 4 focal lengths: 24mm, 35mm, 50mm and 85mm. The 14mm T3.1 will also be ready by Q1 2021. These provide essential corners for any creative or commercial project. All 4 lenses are available and fully compatible with 7 camera mounts: Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X and MFT. They are suitable for both DSLR and mirrorless systems and ready to support all types of filmmakers around the world.
Compact size with long fire launch and de-clicked aperture ring
The compact size of Samyang's VDSLR lenses make them perfect for handheld and gimbal shooting.
Cinematic video quality, covering the size of the full-frame sensor
Unlike their compact size, VDSLR MK2 lenses cover full frame sensors (36x24mm) and are ready for the high quality video production environment. This new series inherits the exceptional image quality of the previous series: all 4 lenses have aspherical elements to reduce spherical and optical aberration, producing clear and vibrant images. The 50mm model also features a hybrid aspherical lens element to maintain compact size without compromising performance.
Fast T1.5 for low light situations
For independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures on all 4 models, supporting filmmakers and allowing them to focus more on the scene and creativity, without having to worry about image quality, even in low light situations. Additionally, the shallow depth of field available blurs the background and highlights the s
